United States of Zoom

if you wanna skate together, log in. generation generator, speak the you you speaks of. survey bukkake in onomatopoeas in knee deep time, in a spoiler alert: about a young fiction we shared and share but some didn’t and so don’t. i don’t mean to block anyone, really, attendance too is a part in this puppet show. if it sounds like dog speak just imagine times square. a meal for the go, going. meta versus method, wink and semicolon. it doesn’t get more historical materialism than this totally meaningless same we call same. anyway, anytime. public service purveyor, private captive sibling, downward spiral, euphoria throwbacks, fast track weather channels, 24h hours, more specifically. unconditional sightseers, blind hard drivers, lax evaders. it is the word logic without logic, it is the word why without why, forget it is the word without. all together now: happy birthday!

Gonçalo Lamas is a writer, filmmaker, artist and designer, born in Porto. After briefly studying film in Porto and Bournemouth, he attended the Fine Art course (media department) at Central Saint Martins, graduating in 2017. In between, he spent a semester at the Universität der Künste Berlin, where he joined Hito Steyerl's class and the Research Center for Proxy Politics.

In 2020, with a grant from the Porto City Council, he produced Boeing Nº 737-800 in F#m, staged over four dates at Culturgest Porto. An artist's book containing the play's text was launched at the 6th Artists' Self-Publisher’s Fair in London. His first work for cinema, the experimental documentary Granary Squares, shot in 2015, premiered in the National Competition of the 2021 edition of IndieLisboa. After several anthology appearances with Pilot Press, like Queer Anthology of Rage and Modern Queer Poets, some times zero hours was the title of his first poetry pamphlet, published by SPAM Press, Glasgow, in 2022. He is currently finishing his first poetry collection, titled Emergency Contact. Until 2024, he was part of the study programme at Le Fresnoy, in France, where he filmed a condensed film adaptation of Andromaque, written by Jean Racine in 1667, which he translated himself into English.

Among many parallel activities, he develops websites for artists and cultural organisations, teaches design strategies at the University of the Arts London, and was a podcast editor on the news platform Novara Media, between 2021 and 2023.

In film and theatre, he has built up a string of collaborations as assistant director with artists such as Alle Dicu, João Nunes Monteiro, João Reis Moreira and Majid Al-Remaihi. With the latter, he is currently writing a film about the final days of Afonso de Albuquerque, the commander who in 1515 seized Hormuz, throttling the very strait that still brings the world to a standstill today.

🕳️

Some of this I do for money, some of this I do for free.

Write me at if you have something to say. I also write an occasional newsletter, called Contratempo. And, sometimes, I am on Instagram too.