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like the impossible orchard before every squeezing agora like the crying-baby-psycho-local-frenzy self like you me us not mine not yours not even ours like any news loop lauded climate catastrophe of the mirror like the loophole out is a needle head it fucking stings like in uberland each face i see a late receipt to the undying like technocracy of photoshop djs to monetize the remix ego like hook looks candy every crush a legitimate manicure like sex with every colour a visible world can come to body like precisely what it means to be late fears the party never ends like cacophonous mornings every bit of laundry wide open window like anti to heaven thesis rush hour dialectics everyone a synthesiser like and because nor but or how ever to never ever like the anvil will at times fall there is many a thing called society like spare the ground for all the jumps you fly-tipped like sedimenting rock addicts of the sand world now to Zuckerberg's spite like call me by my name i’ll call you by yours ok but please call like law of the excluded middles well friends are not followers like a pain in your lower back is a pain in my upper and lower back like Total Freedom spins the wheels fortune mows lawn and feet with it like god dog hides cocky under fast track wheels can’t you see like somebody falls off the balcony live pass me the salt please like a wiki surveying social contingencies as you play good cop like cockroaches will some day rave on our sepulchral expanse like your average gleaning forehead feels hot about the coastline like you tell me a search engine for feelings the way i don’t like litres grammes and watts of pretty much anything else can’t like you won galactic lottery now take this watch and just watch

First version in Modern Queer Poets, edited by Richard Porter, Pilot Press, in 2019. Read live as part of the launch event for the anthology (9 January 2020) at Tenderbooks, London.

Performed as part of Free Cash Radio, a program devised by Adam Ghallagher and Ruth Angel Edwards at Cashmere Radio, 28-29 February 2020.

Another version is included in some times zero hours, a pamphlet edited by SPAM Press, May 2022.

Gonçalo Lamas is a writer, filmmaker, artist and designer, born in Porto. After briefly studying film in Porto and Bournemouth, he attended the Fine Art course (media department) at Central Saint Martins, graduating in 2017. In between, he spent a semester at the Universität der Künste Berlin, where he joined Hito Steyerl's class and the Research Center for Proxy Politics.

In 2020, with a grant from the Porto City Council, he produced Boeing Nº 737-800 in F#m, staged over four dates at Culturgest Porto. An artist's book containing the play's text was launched at the 6th Artists' Self-Publisher’s Fair in London. His first work for cinema, the experimental documentary Granary Squares, shot in 2015, premiered in the National Competition of the 2021 edition of IndieLisboa. After several anthology appearances with Pilot Press, like Queer Anthology of Rage and Modern Queer Poets, some times zero hours was the title of his first poetry pamphlet, published by SPAM Press, Glasgow, in 2022. He is currently finishing his first poetry collection, titled Emergency Contact. Until 2024, he was part of the study programme at Le Fresnoy, in France, where he filmed a condensed film adaptation of Andromaque, written by Jean Racine in 1667, which he translated himself into English.

Among many parallel activities, he develops websites for artists and cultural organisations, teaches design strategies at the University of the Arts London, and was a podcast editor on the news platform Novara Media, between 2021 and 2023.

In film and theatre, he has built up a string of collaborations as assistant director with artists such as Alle Dicu, João Nunes Monteiro, João Reis Moreira and Majid Al-Remaihi. With the latter, he is currently writing a film about the final days of Afonso de Albuquerque, the commander who in 1515 seized Hormuz, throttling the very strait that still brings the world to a standstill today.

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Some of this I do for money, some of this I do for free.

Write me at if you have something to say. I also write an occasional newsletter, called Contratempo. And, sometimes, I am on Instagram too.