London, Anxiety, Summer, Greens

about that never ending happening a sad stone’s throw away from me, do the math between the points, head to tail Avoid a change mid-motion & sway only a touch further out each time a new orbit, but the same perfume take mortality, for example, how metaphors doctor its spin As if we could bookmark days by the fidgeting eye who breathes at cost, a centrifugal economy between zero and no hours walks up and down Old Kent asking the grass in the park what a summer it has been! so much green washed away before the clouds. The whole UK is a sad yellow patch on Google Earth (overheard in Morrisons) well i say the ground owes nothing to summertime standards to someone's feel-good symbolic order. A world with no ground will need no symbols. More green meets the eye than any other colour, and yet, Sad Yellow, did you ever thank the blues for the grass turf’s green?

Gonçalo Lamas is a writer, filmmaker, artist and designer, born in Porto. After briefly studying film in Porto and Bournemouth, he attended the Fine Art course (media department) at Central Saint Martins, graduating in 2017. In between, he spent a semester at the Universität der Künste Berlin, where he joined Hito Steyerl's class and the Research Center for Proxy Politics.

In 2020, with a grant from the Porto City Council, he produced Boeing Nº 737-800 in F#m, staged over four dates at Culturgest Porto. An artist's book containing the play's text was launched at the 6th Artists' Self-Publisher’s Fair in London. His first work for cinema, the experimental documentary Granary Squares, shot in 2015, premiered in the National Competition of the 2021 edition of IndieLisboa. After several anthology appearances with Pilot Press, like Queer Anthology of Rage and Modern Queer Poets, some times zero hours was the title of his first poetry pamphlet, published by SPAM Press, Glasgow, in 2022. He is currently finishing his first poetry collection, titled Emergency Contact. Until 2024, he was part of the study programme at Le Fresnoy, in France, where he filmed a condensed film adaptation of Andromaque, written by Jean Racine in 1667, which he translated himself into English.

Among many parallel activities, he develops websites for artists and cultural organisations, teaches design strategies at the University of the Arts London, and was a podcast editor on the news platform Novara Media, between 2021 and 2023.

In film and theatre, he has built up a string of collaborations as assistant director with artists such as Alle Dicu, João Nunes Monteiro, João Reis Moreira and Majid Al-Remaihi. With the latter, he is currently writing a film about the final days of Afonso de Albuquerque, the commander who in 1515 seized Hormuz, throttling the very strait that still brings the world to a standstill today.

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Some of this I do for money, some of this I do for free.

Write me at if you have something to say. I also write an occasional newsletter, called Contratempo. And, sometimes, I am on Instagram too.